Michael Moore's Sicko
Christopher Hayes:Michael Moore's healthcare documentary is less partisan, less outrageous--but more real--than anything he's done before.
Christopher Hayes:Michael Moore's healthcare documentary is less partisan, less outrageous--but more real--than anything he's done before.
Aziz Huq:The new film by Dutch politician Geert Wilders is the latest in a series of stunts aimed at humiliating and scapegoating Muslims.
Stuart Klawans:Errol Morris's new documentary Standard Operating Procedure lacks critical distance but produces masterful evocations of Abu Ghraib.


Stuart Klawans
24 City and Ashes of Time Redux, two stars of the New York Film Festival; plus Happy-Go-Lucky and Ballast reviewed.

Stuart Klawans : Arts, Culture, & Entertainment
The Coen brothers' dark comedy and Godfrey Cheshire's story of plantation life.

Stuart Klawans
Superstars and superheroes fight and flounder through Hollywood's season of wanton destruction.
Stuart Klawans
Reviewing a homegrown war documentary, a portrait of Native American life and a pair of spy comedies.
Stuart Klawans
Who are films like Speed Racer, Indiana Jones and the Kingdom of the Crystal Skull and The Edge of Heaven really aimed at?
Stuart Klawans
Errol Morris's new documentary Standard Operating Procedure lacks critical distance but produces masterful evocations of Abu Ghraib.
Stuart Klawans
Exploring the unexpected: Chop Shop, Paranoid Park, Vantage Point.
Stuart Klawans : Reproductive Rights
American movie-goers finally get to see Cristian Mungiu's stunning 4 Months, 3 Weeks and 2 Days.
Stuart Klawans
Paul Thomas Anderson's masterful There Will Be Blood pits an oil baron against a preacher in an epic contest of wills.
With the release of the Dylan pastiche I'm Not There, Todd Haynes revises our cultural memory by adjusting familiar clichés.
Heddy Honigmann's documentary Forever visits the dead in Paris, but nobody grieves; James Mangold's 3:10 to Yuma pits an evil Russell Crowe against a driven Christian Bale.
Reviews of No End in Sight, The Devil Came on Horseback, The Sugar Curtain and Sunshine.
Live Free or Die Hard is boot camp for slackers. Knocked Up takes measure of the inadequate man.
Reviews of A Mighty Heart, Sicko, Czech Dream and Unborn in the USA.
12:08 East of Bucharest is a hilariously bleak film set on the sixteenth anniversary of Romania's revolution.
Reviews of the animated psychoanalytic sci-fi thriller Paprika, 9 Star Hotel and Poison Friends.
Sam Raimi has loaded so many big ideas into Spider-Man 3, they drag this morality-soaked bag of kittens right down to the river's bottom.
Lakshmi Chaudhry : Cultural Criticism & Analysis
If movies reflect our shared consensus about right and wrong, Black Snake Moan speaks volumes about twenty-first-century America.
Reviews of The Host, The Wind That Shakes the Barley and The Namesake.
Stuart Klawans reviews Into Great Silence, Sátántangó and the Museum of Modern Art's retrospective of Abbas Kiarostami's films.
Reviews of The Lives of Others and Grbavica: The Land of My Dreams.
China Blue is a surprisingly fair-minded documentary about teenagers working in a jeans factory in China.
Reviews of Guillermo del Toro's dizzying Pan's Labyrinth and part two of Clint Eastwood's World War II opus, Letters From Iwo Jima.
Reviews of Blood Diamond, Inland Empire, The Good German and The History Boys.
Stuart Klawans : Cultural Criticism & Analysis
Stuart Klawans reviews Fast Food Nation, a film that aspires to activism as it undermines its own anticorporate message.
Stuart Klawans : Cultural Criticism & Analysis
Reviews of films from the vulgar to the magisterial: Borat, Flags of Our Fathers, For Your Consideration, Our Daily Bread and Fur.
Penelope Cruz shines in Pedro Almodóvar's Volver; James Longley's Iraq in Fragments is a repository of small truths.
It doesn't matter that Sofia Coppola's Marie Antoinette is a dreadful film, but it is alarming that the past is increasingly seen as a place in which the most important thing of all is who's, like, famous.
Reviews from the New York Film Festival, including Marie Antoinette, Climate, 49 Up and more.
Martin Scorsese is one of those great artists who not only expresses emotion through film but also invents it. With The Departed, he proves why he's one of the best.
Reviews of Brian De Palma's The Black Dahlia and Kelly Reichardt's Old Joy.
Reviews of Riding Alone for Thousands of Miles, Hollywoodland and This Film Is Not Yet Rated.
World Trade Center's hero is a tough ex-Marine who later re-enlists to fight in Iraq. But his (and Oliver Stone's) redemption narrative is soured by bad faith.
Reviews of Little Miss Sunshine, Quinceañera, My Country, My Country, The Pusher Trilogy and The Bridesmaid.
In Lunacy, order and liberty wriggle with equal parts Poe and Sade. In Scoop, recycled sleuthing gags masquerade as timely satire.
Reviews of Pirates of the Caribbean: Dead Man's Chest, Edmond, The Motel, Gabrielle, Time to Leave and The Blood of My Brother.
A hallucinatory mix of animation and live action creates the Orwellian world of A Scanner Darkly; substance triumphs over style in Excellent Cadavers, a Mafia-busting documentary.
Reviews of the Human Rights Watch International Film Festival, A Prairie Home Companion and The Da Vinci Code.
"The Road to Damascus" explores the strange, the beautiful and the uncanny in Syrian cinema.
Reviews of four stellar films: Three Times, Art School Confidential, Lady Vengeance and Army of Shadows.
Reviews of The Death of Mr. Lazarescu, The Notorious Bettie Page and Sir! No Sir!
Thank You for Smoking praises the professional hucksters of the cigarette companies, and Duck Season is a road movie in which the scenery doesn't change.
James Carville peddles democracy in Bolivia in Our Brand Is Crisis, and anti-Nazi passions play out in Sophie Scholl: The Last Days.
Reviews of The Three Burials of Melquiades Estrada, Battle in Heaven, Blossoms of Fire and The Fallen Idol.
Reviews of Why We Fight, Looking for Comedy in the Muslim World and Tristram Shandy: A Cock and Bull Story.
Michael Haneke's Caché is a stylish thriller that scrapes away at the surface of polite European affluence to lay bare the moral rot beneath.
Munich is a first-rate spy thriller featuring an assassin who reveals his soul. Ang Lee's Brokeback Mountain gives two extraordinary actors time and space to develop a rare emotional interplay. Match Point puzzles with a dirty-minded energy. And Peter Jackson's remake of King Kong is true to the Depression-era original.
Frank Capra's It's a Wonderful Life has come to be regarded as an American movie classic. But when the film was first released, James Agee, The Nation's film critic at the time, was skeptical. Though Agee praised the actors--particularly James Stewart--he cast a hard eye on the film's reflexive sentimentalizing of moral issues and heaped scorn on Hollywood's treacly idea of the life after death.
The Chronicles of Narnia is the perfect combination of Christian allegory and The Lord of the Rings, a well-crafted commodity and nothing more. The Ice Harvest, an anti-Christmas film noir, has an unexpected depth of feeling. Memoirs of a Geisha is all prestige and promotions.
Syriana disappoints; The Boys of Baraka documents the lives of inner-city kids transported to the wild beauty of Africa; and Punishment Park zeroes in on injustice in America.
Two new volumes in the Library of America series present the life and work of James Agee, whose flashes of greatness as an essayist, screenwriter, novelist and Nation film reviewer have secured his place in the American literary canon.
What motivated director Robert Greenwald to spend a year on a documentary detailing Wal-Mart's impact on American life, culture and commerce?
Breakfast for Pluto is the upbeat and whimsical fable of a girl in a boy's body. Watching Claire Danes in Shopgirl will make you forget for a while that other actresses exist.
Stuart Klawans : Israeli/Palestinian Conflict
Paradise Now explores the bond among suicide bombers; The Squid and the Whale brings two monstrously large characters to human scale and The President's Last Bang is nastily efficient.
A History of Violence examines one man's attempt to protect his family from the murderers drifting into his small Indiana town. Good Night, and Good Luck presents a portrait of Senator Joseph McCarthy to a generation that knows him only as the front end of an "ism."
Stuart Klawans : US Wars & Military Action
Tim Burton enlivens the dark and gloomy life of corpses and aristocrats in Corpse Bride; Occupation: Dreamland offers an unsentimental view of Iraqi soldiers.
What to make of The Constant Gardener, a movie
focused on Europeans set in Africa, the return of Terry Gilliam and the
New York City-set Keane?
As Big Pharma increasingly turns to the Third World to test its products, this lush film will spark outrage, but glosses over the constant vigilance necessary to police drug trials.
Reviews of The Beat That My Heart Skipped, Me and You and Everyone We Know and other new films.
Reviews of Madagascar, Howl's Moving Castle and several other new films.
The film should make the media blush for its torpor and fake judiciousness and embedment with the Administration.

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