Who Rules Afghanistan (Page 4)

By Christian Parenti

This article appeared in the November 15, 2004 edition of The Nation.

October 28, 2004

Mohammed Atta's offices are considerably more lavish than General Khakrizwal's. The mood inside this walled compound is one of intimidating leisure. Among the men waiting to meet Atta is a bohemian-looking Afghan film director named Wakil Negbin. He claims to have made the only Afghan action flick in years.

Research support for this article was provided by the Investigative Fund of The Nation Institute.

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Atta's inner offices are spacious, lined with fine red Persian carpets and furnished with long beige couches and several awkwardly futuristic overstuffed lounge chairs. The governor is tall and lean, with closely cropped hair and beard. He wears a superb black business suit and gold Rolex, but the clothes seem to make him uncomfortable: he's still getting used to his new persona. We are served tea and pistachio nuts. Armed men guard the doors.

I ask Governor Atta about the charges that his deputies, like Crazy Shafi, are pillaging the countryside, involved in the drug trade and refusing the UN's requests to disarm.

"I have no military forces anymore; I am just the governor," says Atta, staring at me blankly. "My concerns now are reconstruction and security, building schools and clinics." In fact, it's well-known that Atta is still in command of his troops and that he refuses to demobilize according to the UN-set schedule. And, like most governors, he keeps most of the taxes he collects.

As for his recent military clashes with his rival Dostum: "We have had our disagreements. Dostum is very aggressive, and when I was commander of Seventh Corps I had to defend my people when he attacked."

Was Atta's siege of Gen. Akram Khakrizwal's offices also a defensive move? "What happened there," says Atta in a tone of feigned apology, "was that some of Akram's men were caught smuggling narcotics. So we had to arrest them and fire some of the police. But that incident was really very minor."

As we talk, a dapper Afghan journalist enters and without a word starts shooting video on an ancient TV camera. The man has a finely sculpted goatee, wears a brown velvet Nehru jacket, creased black slacks and spotless designer shoes. After a few minutes he leaves. The interview goes on for another hour.

That night when Balkh state TV--the only channel available in Mazar--starts its three-hour nightly broadcast, the dandy journalist with the goatee and funky jacket appears behind a desk reading the news. Top item: Governor Atta's schedule. Prominently featured: Governor Atta's "cordial meeting" with a journalist from "an important American magazine." The newsreader explains, "The two discussed the progress of reconstruction in Balkh and the importance of Governor Atta's work." My translator is also named as being in attendance. The broadcast has the creepy, stilted feel of old-school dictatorship. We leave Mazar at dawn.

About Christian Parenti

Christian Parenti, a frequent contributor to The Nation on international affairs, is the author of The Freedom: Shadows and Hallucinations in Occupied Iraq (New Press). more...
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