My sister-in-law, a historian and researcher in alternative medicine, once told me of a doctoral dissertation she'd happened across in which the writer interviewed a number of committed liberals and conservatives for the purpose of drawing conclusions about their governing emotional equipment. Liberals, the student found, feel most at home with guilt. Conservatives, as you might expect, don't have much truck with that; instead, they do anger.

It may be hard to call these findings shocking ones, and I do not know whether the candidate's advisers concluded that he or she had sufficiently advanced the literature so as to earn a doctorate. But I can say from personal experience that the liberalism-guilt correlation rings true, and, after reading David Brock's Blinded by the Right, I can certify on the strength of Brock's eyewitness--and often eye-popping--account that conservatives really do anger. Anger as trope; anger as strategy; anger as immutable biological condition; and anger just because it's fun. Yes, we knew this. But we didn't know it the way Brock knows it. Let me put it this way. Throughout the Clinton era, I read every major newspaper and all the magazines and a lot of the websites and most of the pertinent books; I didn't think there was much more for me to learn. But once Blinded by the Right kicks into gear, there is a fact, anecdote or reminiscence about the right's feral hatred of the Clintons every ten pages or so that is absolutely mind-boggling. And, as often as not, these stories are also about the rancid hypocrisy (usually sexual) that underlay, or probably even helped cause, the hatred. In sum: You cannot fully understand this fevered era without reading this book.

The question you may fairly ask is the one some people are already asking: Given the source--Brock was the capital's most famous conservative journalistic hit man before quite famously commencing a mea culpa routine in 1997--can we believe it? The short answer is yes, mostly. The long answer requires that we start, as Oscar Hammerstein III put it, at the very beginning.

The book dances back and forth between exposé and memoir. David Brock was raised in New Jersey, the adopted son of a mother who paid too much mind to what the neighbors thought and a father so rigidly conservative that he did something, as Brock notes, that even Pat Buchanan never felt moved to do: He left the Catholic Church to protest the liberal reforms of Vatican II and worshiped in a sect overseen by the profoundly right-wing French archbishop Marcel Lefebvre. It was partly for the sake of agitating his taciturn father that Brock's first political stirrings were liberal (Bobby Kennedy) to moderate (Jimmy Carter, for whom he secretly persuaded his mother to vote). The family moved to Dallas, an inhospitable milieu in general for a Kennedy acolyte, not least one who was coming to terms with the fact that the sight of his fellow boys disrobing after gym class did more to quicken his pulse than, say, a stolen glance in the direction of the décolletage of the Cowboys cheerleaders. Hating Dallas and still seeking to traduce the old man, for college he chose, of all lamentable destinations, Berkeley.

There, Brock expected to drop anchor in a tranquil moorage of like-minded, tolerant, liberal bien pensants. Instead, he ran head-on into the multicultural, academic left, a bird of altogether different plumage. When Jeane Kirkpatrick came to campus to speak, and protesters would not let her utter a sentence as one of them unloaded a bucket of simulated blood on the podium, that was enough for Brock. Soon he was writing columns in the Daily Californian applauding the "liberation" of Grenada and submitting an essay to the Policy Review, a publication of the Heritage Foundation, on campus Marxism. The Wall Street Journal adapted that piece as an Op-Ed, which caught the eye of John Podhoretz, son of Norman, and Midge Decter, and then an editor at Insight, a magazine put out by the Washington Times. Podhoretz offered him a job, and Brock was off to Washington.

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